POC ZINE PROJECT

Posts tagged Anarchist

ZINE SPOTLIGHT: ‘The First 7-inch Was Better: How I Became an Ex-Punk’ by Nia King (2008)

TITLE: The First 7-inch Was Better: How I Became an Ex-Punk (2008)

AUTHOR: Nia King

RELEASE: 2008

PAGES: 20

ORIGIN: Denver, CO

DESCRIPTION BY STRANGERDANGERZINES.COM:

Nia (Angry Black-White Girl and Borderlands) comes forward to declare her status as an ex-punk. She criticizes anarcho-punk and many activist scenes for its ignorance and the lack of inclusion of folks of color, women and queers. Nia refuses to leave a part of herself at the door in order to adjust to the whiteness and maleness of a musical scene that she once truly enjoyed. The zine also includes a pull-out portion in which you can take along to your next show in order to challenge yourself, your friends and other bystanders.

SOURCE: QZAP.ORG

Queer Zine Archive Project (QZAP) is responsible for scanning and making Nia’s zine file available online. POCZP helped to “liberate” this publication as an embeddable file for International Zine Month #IZM2013.

READ NOW (OR DOWNLOAD FOR FREE):

THE MAKING OF ‘THE FIRST 7-INCH WAS BETTER’

Excerpt from POZCP touring member Osa Atoe’s interview with Nia in 2009 for Maximumrocknroll:

Osa: Come on! You’re at a punk house right now hanging out with a girl that we both just randomly happen to know through punk… Just admit it you’re still kinda punk!
Nia: [laughs] BUSTED! Well, I don’t feel punk. I feel really alienated in punk spaces. Lo Mas Alla, where Luisa and some of my other friends live, feels kind of different. Most of the people who live there may still have love for punk culture, but they also view punk with a critical lens. At some point, most of them have told me they are growing out of punk. I could try and defend it further but it feels silly. I am staying with punks at a punk house. Fact. Am I a punk? No.
Osa: Yeah, well the point I’m trying to make is half-silly and half-serious. I do feel strongly about the fact that people of color end up relinquishing so much to white people just because white people take up all that space. I mean, how many times have you talked to another black girl who’s like, “I’m not a feminist because I feel like feminism is for white women”? And I’m thinking that feminism is an important tool, just like punk is for me, and I’m definitely not going to let white people define what it means to be punk or feminist. I’m going to use those words, those tools, in ways that benefit me.
Nia: I feel that, but defending punk and feminism can be a lot of work, and a lot of the criticism I’ve heard of both is valid. I guess trying to hold space for POCs in punk is exhausting, not because they’re not already there taking up (some) space, but because being the only POC in a room is fucking exhausting in my experience. I wanted to retreat to spaces where I didn’t feel like I had to fight for visibility or have to call people on their shit all the time, and for me punk was not that. Not that I was the lone voice of reason or the lone POC, but often enough, it felt like it. I have nothing but respect for women of color who hold it down in punk rock and call shit out, and make records and write zines, but it’s not for me anymore. Orat least I’m a lot pickier about the ways I engage with it and the situations I put myself in. You feel me?
Osa: Yeah I do. I think that’s why it’s so important to have this conversation because I can see how we’re coming at it from such different perspectives even though both are valid. I totally relate to feeling drained to the bone by being in predominantly white “progressive” spaces. And it wasn’t just punk. Going to college for women’s studies with all those well-meeting white liberal feminists almost gave me an aneurysm. At the same time, for me, it’s not about defending punk or feminism. I just am those things in my daily life. I feel like I did give up fighting for visibility and correcting ignorance and oppressive dynamics in punk scenes. But that just meant that I spent more time hanging out with the brown kids and cultivating those relationships.

Read Osa’s full interview with Nia here.

ABOUT NIA KING

Nia King is a queer art activist of color from Boston, Massachusetts. She currently resides in Oakland, California where she runs the podcast We Want the Airwaves: QPOC Artists on the Rise.

Nia King

artactivistnia.com

@artactivistnia

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SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

ZINE SPOTLIGHT: How to Stage a Coup [NOW AVAILABLE ONLINE AND FOR DISTRO]

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Earlier this year Helen Luu donated her original flat for How to Stage a Coup: An Insurrection of the Underground Liberation Army (2000) to POCZP, which we scanned just in time for POCZP’s participation at Allied Media Conference in Detroit.

Yes, it’s here!!!

READ & SHARE ‘HOW TO STAGE A COUP’

POCZP’s mission is to make zines by people of color easy to find, distribute and share. We are thrilled to share this legacy zine with the world in digital form and will be providing (sliding-scale priced) print copies at all Race Riot! tour events this fall.

HTSAC will be free for all POC attendees at Race Riot! tour events.

***This zine is best viewed online or via mobile in full-screen mode***

TITLE: How to Stage a Coup: An Insurrection of the Underground Liberation Army 

EDITOR: Helen Luu

PUBLISHED: 2000

DESCRIPTION BY POCZP TOUR MEMBER MIMI THI NGUYEN IN 2000:

Helen Luu recently edited a compilation zine called How To Stage A Coup, aimed at creating a dialogue among people of color involved in subcultural pursuits (including punk rock) around race, racism and politics. Contributors like Lauren Martin (You Might As Well Live, Quantify), Lynn Hou (Cyanide), Celia Prez (I Dreamed I Was Assertive), Elizabeth Martinez (Colorlines) and Vincent Chung address a wide variety of issues from organizing and identity politics, to activist dynamics and punk rock betrayals. What does it mean to look at the photographs of Third World suffering on the covers of grindcore records? What does it mean to talk about “pride”? Where was the “color” in Seattle/WTO? What comes first – “being brown or being famous”? The contributors to this compilation ask important questions that need asking, again and again, and Helen Luu brings it all together. 

Click here for the rest of Mimi’s interview, and check out Helen’s DJ projects as MissRuckus.

DO YOU WANT TO DISTRO ‘HOW TO STAGE A COUP’?

We announced on our Facebook page that we have two digital downloads available:

1) Print version

This version was made from a scan of the original flat. It was created with the intention of sharing with folks for distribution of the print version.

2) Read-version

This is the online-friendly version you can see in the embed above. This file is best viewed in e-readers or printed with the expectation that it will be page by page and not the same as the flat.

HOW TO ACCESS HTSAC FILES

We’re raising funds to make 200+ print versions of How to Stage a Coup to give away during tour, so we’re asking folks interested in gaining access to either files to email poczineproject@gmail.com with information about how they plan to use it.

Based on that info (and our relationship with that person/collective), we will ask for a sliding scale donation in exchange for access to a secure file.

We will be providing free access to both downloads on a case-by-case basis. In the meantime, enjoy the read-only version above.

We look forward to seeing more copies of How to Stage a Coup in circulation and on shelves in venues/zine libraries/archives worldwide! 

Please note that, per Luu’s donation statement, "This zine and the parts within it are not to be used for profit (paying for expenses is okay though)."

We’ll have more details about who follows up to distro and archive How to Stage a Coup in the coming weeks and months. 

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SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

Hey, this is totally unimportant, but would it be possible to credit the grand jury zine to New York Year Zero instead of AFFECT? It would be nice to note real prominent-like that the solidarity is coming out of NYC. We're also just trying to up the radical here since everyone thinks this city is dead. Again, not that important since it's all about the content. We've printed a couple hundred and have been distributing them around, if you know anyone here who wants a stack. — Asked by Anonymous

Hi Anon,

Sure! We updated the original post to reflect this change. Apologies - we checked the “ABOUT” page for the site and it said AFFECT, and the author name on the specific post with the zine said “groupaffect,” so we thought that was the correct attribution.

We would actually love copies of FOR THE PACIFIC NORTHWEST GRAND JURY RESISTERS  zine to distribute at upcoming events. Please email daniela@dcapmedia.com. We can provide a small donation to help your efforts, if that’s acceptable.

SOLIDARITY SPOTLIGHT: Support Matt Duran + read this zine about Pacific Northwest grand jury resisters

In the spirit of spreading this important information, POC Zine Project has archived and made available to embed and share the FOR THE PACIFIC NORTHWEST GRAND JURY RESISTERS zine.

This zine, created by New York Year Zero, provides an overview of the situation regarding the currently imprisoned Pacific Northwest grand jury resisters. Consisting of 72-pages, this zine also functions as a timely primer on grand juries in general. 

READ NOW + SIGNAL BOOST <3

This zine also includes the resisters’ statements, news articles, tips on what to do if you’re subpoenaed to testify before a grand jury, and a detailed history of grand juries and their use as a tool to suppress political organizing and revolutionary struggle in the United States.

Click here to read a statement by Matt Duran, APOC who has been locked away since September 13, 2012 for refusing to cooperate with a secret federal Grand Jury investigation targeting anarchists in the Pacific Northwest.

FREE MATT DURAN

Send mail to Matt at:

Matthew Kyle Duran #42565-086

FDC SeaTac

P.O. Box 13900

Seattle, WA 98191

Click here for guidelines to make sure that Matt receives your mail!

To donate money for Matt’s commissary and for visitors’ gas costs, or to arrange your visit to Matt, please email visitationformattduran@riseup.net

UPCOMING EVENT

On Saturday, November 17, at 3:30pm there will be a noise demonstration in front of the SeaTac Federal Detention Center (S 200th St & 26th Ave S, Seatac, WA) in solidarity with imprisoned Grand Jury resisters Matt Duran and Katherine “Kteeo” Olejnik.

Bring banners, loud noise-makers, flyers, and whatever else could be useful. Please send this announcement to listserves and invite your friends.

MORE INFO

http://nopoliticalrepression.wordpress.com/

Tides of Flame report (pdf)

Write to ALL the PNW grand jury resisters!

Matthew Kyle Duran #42565-086
FDC SeaTac
P.O. Box 13900
Seattle, WA 98198

Katherine Olejnik #42592-086
FDC SeaTac,
P.O. Box 13900
Seattle, WA 98198

Leah-Lynn Plante (no longer in jail)

ZINE LIBRARIANS: Please print this zine (you can download), add to our collection and signal boost through your networks. Thank you.