BDGRMMR founders recently contacted us to let us know that their sixth issue, titled EXECUTION, is available to read online.
AUTHOR(S): Yulan Grant, Justin Allen and Brandon Owens
RELEASE: Summer 2013/Winter 2014
ORIGIN: New York, NY
DESCRIPTION: “BDGRMMR is a zine about and by queer artists of color. We’re both a zine and artist collective creating both tangible and digital records of QPOC culture in NYC.
EXECUTION evokes energy, desire and purpose, three themes that are prevalent throughout the narratives of both artists Jay Boogie & Tigga Calore.”
Taking its name from assumptions and stereotypes of inarticulacy surrounding Black English and culture, BDGRMMR (pronounced Bad Grammar) is a zine, platform and collective of and for queer artists of color to document and discuss their work on their own terms, with their own language and in relation to their own culture.
BDGRMMR was started in the summer of 2012 by Yulan Grant, Justin Allen and Brandon Owens.
GET MORE: issuu.com/badgrammar | BDGRMMR@gmail.com
SUPPORT POC ZINE PROJECT
If everyone in our community gave $10, we would more than meet our fundraising goal for 2014. If you have it to spare, we appreciate your support. All funds go to ongoing advocacy costs, the Legacy Series and the poverty zine series.
We are rebooted our org structure in 2014 and will be transparent about that process. Stay tuned.
DONATE link via PayPal: http://bit.ly/SHdmyh
Editor’s Note: A Community Submission OR Call for Submissions post is usually from POC folk submitting their own zine or zine call to be featured by POCZP. If you would like to share your zine with the POC Zine Project community, here’s how to do it.
Please make sure to include pertinent info for CALL FOR SUBMISSIONS: deadline, submission info/email/tumblr, related links, your own bio, etc.
As long as the zine was created/co-created by a person of color, we will always share Community Submissions. Enjoy!
POCZP also accepts anonymous submissions and zine donations from POC. Click here for submission guidelines.
NAME: Julia B. (also goes by Ju)
ROLE: Chief Fanalyst for POC Zine Project’s Legacy Series
REGION: East Coast (Brooklyn), USA
COMMUNITY: Ju has been a POCZP member since the beginning. You’ll be seeing more of their contributions manifest on this Tumblr and in other digital and physical spaces very soon …. <3
IN JU’S OWN WORDS
Hi there. I’m Julia B., or Ju (if we’re being informal, which suits me fine), and I’m the first Official (and Chief) Fanalyst to participate in the POC Zine Project’s Legacy Series!
I’m very excited to be part of this series, and I’m looking forward to sharing more about the first Legacy Series selection: Fire!!: A Quarterly Devoted to the Younger Negro Artists, published in 1926. I should probably begin by explaining what my role will be.
fan: As in, amateur. I’m not a professional historian, just an enthusiastic history lover with library access. Whether it’s sci-fi fans swapping self-written stories through the mail, or specialized distros offering up all manner of self-published work at concerts, zine readings and the like, zine culture has consistently been defined by its place outside of the traditional publishing world. Keeping that in mind, the folks writing this series are taking part because we genuinely love the works we’re talking about, and want to share those works as laypeople in an accessible way.
analyst: I’ll be doing a close read and giving background details about the magazine, page by page. Sort of like “Pop-Up Video” but in written form.
In lieu of elaborate on-location choreography, I’ll be taking you further into not only the text of Fire!!, but also the world in which it was published—from the author’s contemporaries to the neighborhood in which their office was situated, and more. Ideally, by the time you’re done checking out what I’ve got for you, you’ll have music to listen to, visual artists to check out, books you’ll want to look for. Like I said, I’m enthusiastic about history, and my goal is to make sure that you’re just as thrilled about learning more as I was doing the research.
So why exactly am I so thrilled to be working on Fire!! in particular? Well, as a literature fan, I’ve loved Zora Neale Hurston’s, Langston Hughes’, and Countee Cullen’s writing for years. For many, those names might be the most familiar in the list of contributors to Fire!!, and I’m sure a lot of you out there are already fans of their work. But what of the other contributors alluded to in the “younger negro artists” of the magazine’s title? I see this as a chance for those who are more familiar with the writers in this publication to learn more about the visual artists who contributed, and vice versa, while I take a look at the perspectives that link them all together.
I’m also excited because Fire!! was controversial in its time. The contributors were not interested in perpetuating the politics of respectability. They did not create the magazine to keep in step with the artists of generations before them. In short, they were uncomfortable because they refused to conform to more (Black middle-class) palatable sensibilities.
I mean, check out some of the stuff people were saying when this little magazine out of Harlem made its way into print:
Rean Graves of the Baltimore Afro-American [newspaper] was incensed by the magazine and wrote in his review, “I have just tossed the first issue of Fire!! into the fire.” Benjamin Brawley went so far as to say that if the U.S. Post Office found out about Thurman’s “Cordelia the Crude,” the magazine might be barred from the mail.
Pretty strong reactions to a fledgling publication! The contributors wrote about touchy subjects such as colorism among Black Americans and prostitution. They made deliberate use of Black American vernacular, in an effort to make the voices of their works ring true to the people they represented. And pissed off a bunch of uptight people in the process, even though only one issue of Fire!! was ever published. It’s easy to think of “cutting edge” in the present tense, but in exploring the magazine, we get the chance to check out what the Black American nonconformists of 1926 had to say, and what value those messages hold for us in the present day.
Anyway, enough out of me! I’m looking forward to talking with you further… hopefully we can start a cool conversation (or several) about this classic work. Stay tuned!
: Patton, Venetria K., and Maureen Honey. “The Harlem Renaissance.” Oxford African American Studies Center: Guest Scholars. Oxford University Press. Web. <http://www.oxfordaasc.com/public/featureded/guest_5.jsp>
DO YOU WANT TO BE A FANALYST FOR THE LEGACY SERIES?
The only criteria is that you have to be a person of color! Submit here and tell us a little about yourself. Please include links to some writing samples. Good luck!
White allies: There are other ways for you to support the Legacy Series. Please email firstname.lastname@example.org for details.
ABOUT THE LEGACY SERIES
Kicking off with FIRE!!, POC Zine Project will make zines by people of color created from the 1700s-1990s available to read and share.
Every Friday (Editor’s note: date pushed to February), you will find a legacy zine by a person of color on poczineproject.tumblr.com. We will share more details in 2013.
WHY WE ARE FOCUSING ON LEGACY ZINES
People of color in the U.S. have produced independent publications (zines) for decades. Many of these zines were political in nature, creating cracks in the lens of white supremacy that shaped (and continues to inform) popular culture and legislation.
These zines were new maps to our liberation, countering the negative propaganda of what people of color looked like, thought and were capable of achieving.
We want the world to know about these legacy zines, so we are going to archive and share them to the best of our ability.
We look forward to partnering with distros, academic spaces, libraries, anti-authoritarian collectives, literary journals, bloggers and more to share the Legacy Series.
“NEW” ZINESTERS: We will still share information about new and upcoming zines by people of color :) Please continue to submit your zines to the archive.
ABOUT THE RACE RIOT! TOUR
POC Zine Project held its first Race Riot! Tour in 2012, producing 20 events in 14 cities, which included speaking engagements at six universities. Click here to view photos from the POC Zine Project: 2012 Race Riot! Tour tour finale at Death By Audio in Brooklyn and access all the tour stop recaps.
We will be taking the Race Riot! Tour through 14 more cities in 2013. Stay tuned!
SUPPORT POC ZINE PROJECT
If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.
DONATE link via PayPal: http://bit.ly/SHdmyh
Ten days have passed since our Race Riot! tour finale event at Death By Audio in Brooklyn. Our last tour date had the most amount of people in attendance, and zine partner sales were higher than any other stop on our tour, so thank you NYC for your love and support!
We’re going to do a zine and art book about our first tour experience, (details coming soon) so for now, here are some beautiful moments from October 7, 2012:
Photo by Mimi Thi Nguyen
- POC Zine Project’s Race Riot! Tour attendees at Death by Audio on Oct 7, 2012
- Mimi Thi Nguyen reads at Death By Audio
- Leshaun lovell (l) Share roman (m) and Jade Fair (r) at POCZP’s Race Riot! Tour stop at Death By Audio on Oct 7
- DJ Shomi Noise holding her zines Building Up Emotional Muscles #1-3 at Death By Audio on Oct 7
- Shady Hawkins perform at Death By Audio
Photo by Mary Christmas
- Joan Chen came all the way from the west coast and brought Bay Area poc zines for the archive! <3 Thanks, Joan!
- Back of crowd during Anna Vo’s reading at Death By Audio
Photo by Mimi Thi Nguyen
- Osa Atoe, creator of the Shotgun Seamstress series (out now on Mend My Dress Press), reads at Death By Audio
- Aye Nako performs at Death By Audio
Photo by thetenderestheart
- Part of POC Zine Project’s Race Riot! Mall at Death By Audio
Photo by Mimi Thi Nguyen
MEMORIES FROM THE EVENT
The venue was PACKED and at a certain point (about halfway through the show) we had to ask everyone who was sitting to stand up so that a horde of folks waiting in line outside could get in. Like all of our other tour stops, the door cover was sliding scale/pay what you can with no one turned away for lack of funds.
Although DBA had a cash bar, people kept it together and the energy overall was amazing. Around 9pm, after I had made sure the projector was working, we kicked things off.
Jamie Varriale Vélez, our local guest reader, did an amazing job and was super brave (she read first). Race Riot! crew Osa, Anna Vo, Mimi Thi Nguyen and Cristy C. Road followed. I played MC, worked at the Race Riot! mall, dealt with problems as they came up and took some of the photos you see in this post.
BIG THANKS to Cristy C. Road for coordinating our finale event logistics, Death By Audio for allowing us to use the venue and all the DBA folks who handled sound and door needs.
I’m probably forgetting to thank a million people but we’ll get it together for the zine and art book that we’re doing for the tour.
We’ll have more candids and quotes from tour members and attendees in the weeks to come.
Thanks again, you reading this right now, for your interest and support. This is an experiment in community and activism through materiality. If you took any photos or video of this event and are willing to share so we can add it to our documentation, please email email@example.com. <3
If you’re interested in developing your digital media and community organizing skills by interning for POC Zine Project, email firstname.lastname@example.org.
We can provide college credit or, if you’re not enrolled at an accredited university, professional mentorship. Meatspace internships will take place at DCAP Media HQ in NYC. Telecommuting/remote production internships are also available.
1) We’re doing a zine about this tour, so if you were part of any of the events, let us know if you want to contribute by emailing email@example.com.
2) We’re doing a national conference in 2014.
3) We’re doing a west coast tour in 2013.
4) If you want to be a part of any upcoming POCZP events, let us know.
5) We love you.
ABOUT POC ZINE PROJECT
POC Zine Project’s mission is to make zines by people of color easy to find, distribute and share - community and activism through materiality. We took the Race Riot! tour through 12 cities from Sept 24 - Oct 7, 2012.
All tour dates: http://bit.ly/PeEgaR
TOUR RECAPS ARCHIVE
Oct 7: Death By Audio - Brooklyn
Oct 3: Skylab - Columbus
Oct 2: Rachael’s Cafe - Bloomington
Sept 30: multikulti - Chicago
Sept 28: The Trumbullplex - Detroit
Sept 26: Mr. Roboto Project - Pittsburgh
Sept 25: The Wooden Shoe - Philly
Sept 24: 538 Johnson - NYC - Brooklyn
All photos should be credited to Daniela Capistrano/POC Zine Project unless otherwise noted. Please be sure to credit and link to poczineproject.tumblr.com if you reblog individual pics. Tx! <3