POC ZINE PROJECT

Posts tagged feminism

Meet POCZP’s West Coast Coordinator Liz Mayorga!
Part of POC Zine Project’s advocacy is empowering new and seasoned zinesters of color in the U.S. (and soon worldwide) to share their stories while supporting other POC. Liz is the second official regional coordinator for POCZP (meet Joyce, our Midwest Coordinator, here). We are excited to share developments as this part of our experiment in activism and community through materiality unfolds. 
LIZ, IN HER OWN WORDS
Liz was born in Los Angeles, California, but moved back and forth between Mexico and LA throughout her childhood. She is the youngest of three and the only female in a traditional, Catholic, Mexican-American family. 
Though her brothers taught her how to throw a good punch, she was often confused by the strict gender roles in rural Mexican society, which told her to be passive and meek. Luckily, Los Angeles was a place where contradiction could exist, a place where you could an aggressive girl, and a Mexican Punk. LA and the influence of popular culture gave Liz an identity she could be proud of.
She moved to the Bay Area for school, but ended up falling in love with SF Zine Fest, and community of artists. They pushed her to pursue her passion for Art and Literature. 
Liz now writes fiction and non-fiction, makes comics (check out Inked), and is a working illustrator. Her inspiration comes from her crazy family and Chican@ Pop Culture. She is the Co-Director of San Francisco Zine Fest (SFZF) and is now happy to be a part of the POC Zine Project.
See Liz in action at a recent POCZP Youth Zine workshop in San Francisco, where she led activities with assistance from POCZP intern Itoro Udofia.
Liz hopes to expand and connect the DIY West Coast community and serve as a resource. She wants DIY projects (and zines) by people of color to be especially accessible to youth, because she needed community this open and empowering as a teenager. 
It is also a goal of hers to promote multi-media as a part of zine/DIY culture and expand the limits of what a zine could be, because artists, especially artists with a story to tell, need to be more visible.
Learn more about Liz here: lizmayorga.com
COMMUNITY: Join us in welcoming Liz. We are excited to support zine culture and POC storytelling on the West Coast! We will have several events in this region during the 2013 Race Riot! tour. Stay tuned for details …
DO YOU WANT TO BE A COORDINATOR LIKE LIZ?
If you want to support POCZP with Liz, other coordinators, interns and our touring members, let us know! 
We are also looking for representatives in every state, as well as regional  support, as we build toward the National POC Zinester & Ally Conference/Convergence. Ideally you have some experience with organizing events and building community, but experience is not required. All are welcome. Priority will be given to people of color who apply but allies are definitely welcome.
Contact poczineproject@gmail.com for more details with “regional coordinator” as the subject line.
If you are outside the U.S. and want to be a part of our emerging POCZP Global Ambassadors program, email poczineproject@gmail.com as well to stay informed as opportunities arise.
SUPPORT POC ZINE PROJECT
If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.
DONATE link via PayPal: http://bit.ly/SHdmyh

Meet POCZP’s West Coast Coordinator Liz Mayorga!

Part of POC Zine Project’s advocacy is empowering new and seasoned zinesters of color in the U.S. (and soon worldwide) to share their stories while supporting other POC. Liz is the second official regional coordinator for POCZP (meet Joyce, our Midwest Coordinator, here). We are excited to share developments as this part of our experiment in activism and community through materiality unfolds. 

LIZ, IN HER OWN WORDS

Liz was born in Los Angeles, California, but moved back and forth between Mexico and LA throughout her childhood. She is the youngest of three and the only female in a traditional, Catholic, Mexican-American family.

Though her brothers taught her how to throw a good punch, she was often confused by the strict gender roles in rural Mexican society, which told her to be passive and meek. Luckily, Los Angeles was a place where contradiction could exist, a place where you could an aggressive girl, and a Mexican Punk. LA and the influence of popular culture gave Liz an identity she could be proud of.

She moved to the Bay Area for school, but ended up falling in love with SF Zine Fest, and community of artists. They pushed her to pursue her passion for Art and Literature.

Liz now writes fiction and non-fiction, makes comics (check out Inked), and is a working illustrator. Her inspiration comes from her crazy family and Chican@ Pop Culture. She is the Co-Director of San Francisco Zine Fest (SFZF) and is now happy to be a part of the POC Zine Project.

See Liz in action at a recent POCZP Youth Zine workshop in San Francisco, where she led activities with assistance from POCZP intern Itoro Udofia.

Liz hopes to expand and connect the DIY West Coast community and serve as a resource. She wants DIY projects (and zines) by people of color to be especially accessible to youth, because she needed community this open and empowering as a teenager.

It is also a goal of hers to promote multi-media as a part of zine/DIY culture and expand the limits of what a zine could be, because artists, especially artists with a story to tell, need to be more visible.

Learn more about Liz here: lizmayorga.com

COMMUNITY: Join us in welcoming Liz. We are excited to support zine culture and POC storytelling on the West Coast! We will have several events in this region during the 2013 Race Riot! tour. Stay tuned for details …

DO YOU WANT TO BE A COORDINATOR LIKE LIZ?

If you want to support POCZP with Liz, other coordinators, interns and our touring members, let us know!

We are also looking for representatives in every state, as well as regional  support, as we build toward the National POC Zinester & Ally Conference/Convergence. Ideally you have some experience with organizing events and building community, but experience is not required. All are welcome. Priority will be given to people of color who apply but allies are definitely welcome.

Contact poczineproject@gmail.com for more details with “regional coordinator” as the subject line.

If you are outside the U.S. and want to be a part of our emerging POCZP Global Ambassadors program, email poczineproject@gmail.com as well to stay informed as opportunities arise.

SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

ZINE SPOTLIGHT: ‘Colita de Rana: Love, Identity & Panochas’ and ‘Watermelon: and other things that make me uncomfortable as a black person’

By Cata, POCZP Intern

“Colita de Rana…Love, Identity & Panochas”  by Tracy García and company (2012)

"Colita de Rana" (2012) by Tracy García and company

This zine opens with a labeled cartoon vagina. Ok, wait. Back story: Colita de Rana = frog tail—it’s from a saying that signifies healing. And: Panochas = Pussy.

The ideas in this zine were loved into pages by anger, angst and ambition. I know this because I saw it’s spirit awake when one of my friends (a co-author) attended a QPOC, Queer People of Color conference back in the day and we took a Panocha workshop. The most powerful experiences, people, books, zines, movies, artwork plant the seeds of future creation. This is the fruit of one of those seeds. In Colita de Rana there are plenty of female anatomy lessons, self-love reminders and a gesture to genetic trauma.

My favorite page is a poem by a lady from Inglewood (my dad’s old stomping grounds). She talks about the domestication of love… “how did love become so scary? was it the moment it got domesticated?” This a powerful question hidden on the third page of the zine.

Seeing this quote through the zine’s title can lead the question: How can we heal from domesticated love? What is that? Certainly it involves government control and production of a certain kind of love.

Page 8 displays a cut-out of a dinosaur called a “clitosaurus” above the prehistoric animal is a quote about the deportation of lesbian undocumented immigrants in the 1990’s. Shit is real. Colita de Rana lets us know.

Disarming dinosaurs still deliver through history. Our history, herstory unknown rather wished erased and gone but still lingers at the bottom of some hearts. This anatomy textbook for the “exploration of love, identity and panochas” is humble but proud. Check yo’ self, she says.

Page 10: heterosexual questionnaire. It’s your turn, straight folks, to have your coming of age story be commodified, died this hue then this shade and retried again and again —tooth combed for possible in-congruencies or untruths.

I love this zine and I hope they keep on the riot. This zine would be a great new friend to all questioning and angry Xican@s. Bring them on.

READ & DOWNLOAD COLITA DE RANA

“Watermelon…and other things that make me uncomfortable as a black person” by Whit Taylor (2011)

Watermelon...and things that make me uncomfortable as a black person (2011) by Whit Taylor

I found this gem at zine fest in dc this past July. Really, nothing can beat a fantastic new zine in the dead of summer heat when you think who is so noble and great that they are out promoting their zine? And then, there is someone.

Besides the fortuitous timing Whit Taylor is a great mini story shower/teller. In her zine she is showing us why certain things don’t roll so smooth for her. She keeps the tone light even during more serious topics. Taylor is able to do this because of a dry and even tone through out the story. Her drawings rock. They remind me of the drawings from Tina’s Mouth, another awesome lady comic.

Watermelon can easily find a place among folks working to deconstruct the stereotypes that can plague different communities. Humanizing an experience is a big part of breaking down stereotypes. When you don’t know someone personally its easier to paint them as something their not.. literally. Tayor does a great job at this. In fact my favorite quote from her is: “I love Alice in Chains, which according to my uncle makes me a teenage white boy. I grew up on my parents’ 1960’s & 70’s soul music but became a victim of 90’s suburban life. So sue me.”

Her honesty is fresh. And yet it leaves me wondering about somethings… like what about her cousins in the frame about New Orleans? What kind of comic/zine would they write? Would they agree with her? These are questions that often come up for myself as I and many other creators find pieces of their autobiographies show up in their work…would my family/community agree? How do they see it?

And this is what’s great about Watermelon. This is how Taylor experienced growing up where she did, being who she is. Really that’s all we got: our experience and it’s one that others are either going to learn from or identify with. And zines really open up a space for folks who usually don’t show up in books or magazines to share their version.

Thanks Ms. Whit Taylor, for sharing yours.

Watermelon is a great zine about one girls’ reflections on the stereotypes that live in her world. Specifically this zine helps to thwart the power these stereotypes might have on others by simply humanizing them and breaking them down. After all it did spark a pretty humorous discussion in my house about our own battles with awkward/embarrassing moments striving to straddle the lines between our cultures and the way others see us in our culture.

It’s a daily deal, as is shown by Whit Taylor in Watermelon.

ORDER WATERMELON HERE.

LEARN MORE ABOUT WHIT TAYLOR whimsicalnobodycomics.com

COMMUNITY: Do you want to review zines for POCZP? Learn more about POCZP internship & volunteer opportunities here. We are still accepting applications. 

If you are interested in POCZP leading a workshop or other event in collaboration with your organization - worldwide - email poczineproject@gmail.com.

ABOUT CATA

Cata is a two-spirit mixed race writer/yogi/graphic novel reader/zine lover in Washington, D.C., originally from the LBC (Long Beach California).

http://agraphiclens.wordpress.com/

http://uchueca.tumblr.com/

See POCZP member Cristy C. Road on tour with Sister Spit: The Next Generation!

Go support Cristy C. Road (and say hi! - tell her POCZP sent ya! xo) as she continues her queer literary and artistic journey with Sister Spit: The Next Generation!

This year’s tour features Michelle Tea, Ali Liebegott, Dave End, Texta Queen, Daniel Levesque, and of course CCR!

As Cristy aptly put it:

Too many queer boners in one sentence? Its okay, the universe prefers it that way. Come out and listen to us read and perform from our latest projects, laugh a little, rage a little, gaze into your lovers eyes and cry a little……

Tour dates are listed below (CHECK THIS CALENDAR FOR MOST UP TO DATE LISTINGS & VENUES). More info can be found at the RADAR PRODUCTIONS Website.

March 31, 2013  2 PM

San Francisco Public Library

Koret Auditorium

100 Larkin St. San Francisco, CA 94102

April 1, 2013 7:30pm

Rock, Paper, Scissors Collective

2278 Telegraph Ave., Oakland, California 94612

April 2, 2013 7PM

Pasadena City College/Creveling Lounge

1570 East Colorado Boulevard  Pasadena, CA 91106 

April 3, 2013 2PM Panel/ 7PM Show

UC Riverside

900 University Avenue  Riverside, CA 92521

April 6, 2013  8 PM

Richard Hugo House

1634 11th Avenue  Seattle, WA 98122

April 7, 2013 8PM

The Intercultural Firehouse at IFCC

Portland, OR

April 8, 2013 4:30pm

University of Oregon

585 E. 13th Avenue Eugene, OR 97403-1279

April 9, 2013 7pm

The Voice Shop

1296 N Wishon, Fresno, California 93728 

April 10, 2013 7PM

Otis College of Art and Design

9045 Lincoln Boulevard  Los Angeles, CA 90045

April 11, 2013 7:30PM

REDCAT Theater

631 West 2nd Street  Los Angeles, CA 90012

April 12, 2013 7:30PM

MADHAUS Gallery

624 Pacific Ave., Long Beach, California 90802

April 14, 2013 3PM

New Museum

235 Bowery, New York, New York 10002

April 15, 2013 7:30PM

Pride Center

332 Hudson Avenue, Albany, New York 12210

April 16, 2013 7PM

Gladstone Hotel

214 Queen Street West, Toronto, Ontario

April 18, 2013 7pm

Ann Arbor

April 19, 2013 6PM

A Room of One’s Own Bookstore

315 W. Gorham St., Madison, Wisconsin 53703

April 20, 2013 9:30PM

Part of the CIMMFEST

The Hideout

Chicago, Illinois

April 21, 2013 7PM

Rachel’s Cafe

300 E Third St, Bloomington, Indiana 47402

COMMUNITY SPOTLIGHT: Mimi Thi Nguyen, Golnar Nikpour and more at ‘Punk Anteriors’ event TONIGHT

POC Zine Project tabling at Jan. 31, 2013 event

We know some of you are bummed that this rad event is 1) far away from you and 2) 21+. We hear ya. Sometimes it seems like all the cool shit is in NYC, right? But that’s just not the case. We know from our travels that people are doing amazing things all over the world, including in small towns.

But this amazing thing is actually going down in NYC tonight, so if you can make it, show some love and stop by our table and For The Birds Collective’s! POCZP founder Daniela Capistrano will be there in solidarity with Mimi and the other readers, along with our Chief Fanalyst Julia B. and Race Riot! tour vet Cristy C. Road.

We’ve been thinking about all the people who can’t afford to purchase Women & Performance’s “Punk Anteriors” special double issue (it’s $85) or attend tonight’s event, so we’ve snagged a copy and made it available to read online, zine-style. <3

We’re also going to live-tweet when we can from @poczineproject using the hashtag #PunkAnteriors. Look for our tweets! <3

“Punk Anteriors: Theory, Genealogy, Performance” is issue 22.2-3 of Women & Performance: a journal of feminist theory and was co-edited by Beth Stinson and Fiona I.B. Ngô.

The issue emphasizes punk feminist spaces and times by bringing them to the forefront to forge and generate “punk anteriors.” We use the word “anteriors” in the title of this issue to think through the included articles that specifically address punk spaces and remnants—plotting what might come before, or anterior to, the telling of punk’s stories in two senses. First, punk anteriors point to the temporal, interrogating punk’s (always seemingly) resistant genealogy and questioning the source of politics and performances for punk. Second, we mobilize punk anteriors in the material and spatial sense of place, bodies, and archives. That is to say, we re-consider the context for the everyday performances of punk as occurring within atmospheres of imperial design; racial, feminist, and anarchist social movements; and immigration, poverty, and dislocation. 

Along with the hope of re-centering people of color in punk’s narratives, part of the goal with this issue has been to expand the places where we find valuable knowledge and aesthetics, to re-imagine who counts as an intellectual producer in punk’s history, and to work across genres.  Though the process was not always perfect, we have found this track productive and insightful, and hope that this model might inspire others to explore these topics and others in similar and even more brilliant ways.

COMMUNITY: After reading “Punk Anteriors,” let us know what you think! Click here to submit your review of excerpts of the journal or the entire publication.

EVENT DETAILS

Big thanks to tonight’s organizers for creating punkanteriors.tumblr.com/ and making this roundtable discussion as accessible as possible to the general public.

We also want to give an especially BIG thank you to this issue’s co-editors Beth Stinson and Fiona I.B. Ngô <3 Thank you for disrupting problematic facets of academia in your own ways.

Women & Performance’s “Punk Anteriors” special double issue release party

Thursday, January 31, 2013
@ The Gallery at Le Poisson Rouge
on Bleeker St b/n Thompson and Sullivan

6pm doors // 6:30pm start // 21+ // bands first

Aye Nako, Mon Mecs, and a roundtable discussion panel w/ Tavia Nyong’o, Mimi Nguyen, José Muñoz, Golnar Nikpour, M.J. Zilla, and the co-editors.

Also, zine tabling by the POC Zine Project and for the birds collective.

FREE!

For more venue information, please visit:
http://www.lepoissonrouge.com/lpr_events/women-performances-punk-anteriors-double-issue-release-party-jan-31st-2013/

RSVP on Facebook:
https://www.facebook.com/events/178101808980490/?fref=ts

BIOS

Aye Nako

http://ayenako.org/

Mon Mecs

See M.J. Zilla below

José Muñoz

Muñoz is Professor of Performance Studies at New York University, where he writes, researches and teaches Comparative Ethnic Studies, Queer Theory, Marxism, and Performance Art. His books include Disidentifications: Queers of Color and the Performance of Politics (Minnesota, 1999) and Cruising Utopia: the Then and There of Queer Futurity (NYU Press, 2009). Muñoz has published articles on punk, art, queer theory, critical ethnic studies, poetry, and performance art in venues such as Women & Performance: A Journal of Feminist TheoryGLQSocial TextTheatre JournalThe South Atlantic QuarterlyAmerican Quarterly, and Criticism.

Mimi Nguyen

Nguyen is Associate Professor of Gender and Women’s Studies and Asian American Studies at the University of Illinois, Urbana-Champaign. Her first book, called The Gift of Freedom: War, Debt, and Other Refugee Passages, focuses on the promise of “giving” freedom concurrent and contingent with waging war and its afterlife (Duke, 2012). She is also co-editor with Thuy Linh Nguyen Tu of Alien Encounters: Popular Culture in Asian America (Duke, 2007), and co-editor with Fiona I.B. Ngo and Mariam Lam of a special issue of positions on Southeast Asians in diaspora (Winter 2012). She publishes also on queer subcultures, the politics of fashion, and punk feminisms. She is the author of Slander and Evolution of a Race Riot zines and has contributed her writing to Punk Planet and Maximum Rocknroll. In 2012, she went on a couple POC Zine Project/Race Riot! Tours to discuss and read from zines by people of color.

http://mimithinguyen.com/

Golnar Nikpour

G. S. Nikpour served as co-coordinator of Maximum Rocknroll — the longest running DIY punk fanzine in the world — from 2004-2007. She is also a founding editor ofB|ta’arof, a magazine featuring art, historiography, and cultural critique related to Iran and its diaspora. She was born in Tehran, Iran and lives in NYC where she still writes for MRR, plays drums in a hardcore band called In School, and is a PhD candidate researching Iranian political modernity at Columbia University.

Interview

Tavia Nyong’o

Nyong’o is Associate Professor of Performance Studies at New York University, where he writes, researches and teaches critical black studies, queer studies, cultural theory, and cultural history. His first book, The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (Minnesota, 2009), won the Errol Hill Award for best book in African American theatre and performance studies. Nyong’o has published articles on punk, disco, viral media, the African diaspora, film, and performance art in venues such as Radical History ReviewCriticismTDR: The Journal of Performance StudiesWomen & Performance: A Journal of Feminist Theory,Women’s Studies QuarterlyThe Nation, and n+1. He is co-editor of the journal Social Text.

http://nyongo.wordpress.com/

M.J. Zilla (aka Mec Jagger)

Former co-producer/songwriter/front woman for The Slack Republic. A visionary extraordinaire she launched her own boutique music label, wynott records (former Rxlngr) in 2007 and has since managed artists such as Muhsinah, Jneiro Jarel & 00Genesis and consulted other acts like J*Davey, Viktor Duplaix & Dante Fried Chicken. While she continues to expand her brand designing YNA, her product line which debuted at the 2012 Afro-Punk festival, M.J. is quietly writing, producing and recording the debut solo release of her new indie-rock outfit, “Mon Mecs” with plans to also release a several rap songs early this year under the moniker “Mec Jagger.”

http://mecjagger.com

POC Zine Project

Meet POCZP’s Chief Fanalyst for the Legacy Series: Julia B. aka Ju!

Julia B., or Ju: First Official Fanalyst to participate in the POC Zine Project's Legacy Series

NAME: Julia B. (also goes by Ju)

ROLE: Chief Fanalyst for POC Zine Project’s Legacy Series

REGION: East Coast (Brooklyn), USA

COMMUNITY: Ju has been a POCZP member since the beginning. You’ll be seeing more of their contributions manifest on this Tumblr and in other digital and physical spaces very soon …. <3

IN JU’S OWN WORDS

Hi there. I’m Julia B., or Ju (if we’re being informal, which suits me fine), and I’m the first Official (and Chief) Fanalyst to participate in the POC Zine Project’s Legacy Series!

I’m very excited to be part of this series, and I’m looking forward to sharing more about the first Legacy Series selection: Fire!!: A Quarterly Devoted to the Younger Negro Artists, published in 1926. I should probably begin by explaining what my role will be.

fan: As in, amateur. I’m not a professional historian, just an enthusiastic history lover with library access. Whether it’s sci-fi fans swapping self-written stories through the mail, or specialized distros offering up all manner of self-published work at concerts, zine readings and the like, zine culture has consistently been defined by its place outside of the traditional publishing world. Keeping that in mind, the folks writing this series are taking part because we genuinely love the works we’re talking about, and want to share those works as laypeople in an accessible way.

analyst: I’ll be doing a close read and giving background details about the magazine, page by page. Sort of like “Pop-Up Video” but in written form.

Graphic for Ju's Chief Fanalyst bio In lieu of elaborate on-location choreography, I’ll be taking you further into not only the text of Fire!!, but also the world in which it was published—from the author’s contemporaries to the neighborhood in which their office was situated, and more. Ideally, by the time you’re done checking out what I’ve got for you, you’ll have music to listen to, visual artists to check out, books you’ll want to look for. Like I said, I’m enthusiastic about history, and my goal is to make sure that you’re just as thrilled about learning more as I was doing the research.

So why exactly am I so thrilled to be working on Fire!! in particular? Well, as a literature fan, I’ve loved Zora Neale Hurston’s, Langston Hughes’, and Countee Cullen’s writing for years. For many, those names might be the most familiar in the list of contributors to Fire!!, and I’m sure a lot of you out there are already fans of their work. But what of the other contributors alluded to in the “younger negro artists” of the magazine’s title? I see this as a chance for those who are more familiar with the writers in this publication to learn more about the visual artists who contributed, and vice versa, while I take a look at the perspectives that link them all together.

I’m also excited because Fire!! was controversial in its time. The contributors were not interested in perpetuating the politics of respectability. They did not create the magazine to keep in step with the artists of generations before them. In short, they were uncomfortable because they refused to conform to more (Black middle-class) palatable sensibilities.

I mean, check out some of the stuff people were saying when this little magazine out of Harlem made its way into print:

Rean Graves of the Baltimore Afro-American [newspaper] was incensed by the magazine and wrote in his review, “I have just tossed the first issue of Fire!! into the fire.” Benjamin Brawley went so far as to say that if the U.S. Post Office found out about Thurman’s “Cordelia the Crude,” the magazine might be barred from the mail.[1]

Pretty strong reactions to a fledgling publication! The contributors wrote about touchy subjects such as colorism among Black Americans and prostitution. They made deliberate use of Black American vernacular, in an effort to make the voices of their works ring true to the people they represented. And pissed off a bunch of uptight people in the process, even though only one issue of Fire!! was ever published. It’s easy to think of “cutting edge” in the present tense, but in exploring the magazine, we get the chance to check out what the Black American nonconformists of 1926 had to say, and what value those messages hold for us in the present day.

Anyway, enough out of me! I’m looking forward to talking with you further… hopefully we can start a cool conversation (or several) about this classic work. Stay tuned!

[1]: Patton, Venetria K., and Maureen Honey. “The Harlem Renaissance.” Oxford African American Studies Center: Guest Scholars. Oxford University Press. Web. <http://www.oxfordaasc.com/public/featureded/guest_5.jsp>

DO YOU WANT TO BE A FANALYST FOR THE LEGACY SERIES?

The only criteria is that you have to be a person of color! Submit here and tell us a little about yourself. Please include links to some writing samples. Good luck!

White allies: There are other ways for you to support the Legacy Series. Please email daniela@dcapmedia.com for details.

ABOUT THE LEGACY SERIES

Kicking off with FIRE!!, POC Zine Project will make zines by people of color created from the 1700s-1990s available to read and share.

Every Friday (Editor’s note: date pushed to February), you will find a legacy zine by a person of color on poczineproject.tumblr.com. We will share more details in 2013.

WHY WE ARE FOCUSING ON LEGACY ZINES

People of color in the U.S. have produced independent publications (zines) for decades. Many of these zines were political in nature, creating cracks in the lens of white supremacy that shaped (and continues to inform) popular culture and legislation.

These zines were new maps to our liberation, countering the negative propaganda of what people of color looked like, thought and were capable of achieving.

We want the world to know about these legacy zines, so we are going to archive and share them to the best of our ability.

We look forward to partnering with distros, academic spaces, libraries, anti-authoritarian collectives, literary journals, bloggers and more to share the Legacy Series.

“NEW” ZINESTERS: We will still share information about new and upcoming zines by people of color :) Please continue to submit your zines to the archive.

ABOUT THE RACE RIOT! TOUR

POC Zine Project held its first Race Riot! Tour in 2012, producing 20 events in 14 cities, which included speaking engagements at six universities. Click here to view photos from the POC Zine Project: 2012 Race Riot! Tour tour finale at Death By Audio in Brooklyn and access all the tour stop recaps.

We will be taking the Race Riot! Tour through 14 more cities in 2013. Stay tuned!

SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

Meet POCZP’s first Legacy Series intern: Itoro Udofia!

EDIT: Itoro Udofia: First dedicated intern for POCZP's Legacy Series (Spring 2013)

NAME: Itoro Udofia

ROLE: First dedicated intern for the POC Zine Project’s Legacy Series

REGION: West Coast, USA

COMMUNITY: Join us in welcoming Itoro! You’ll be seeing her contributions manifest on this Tumblr and in other digital and physical spaces very soon …. <3

Bio: Itoro is a first generation writer, artist, and educator of Nigerian origin living in the Bay Area. She develops programs for youth of color (Youth Programs Associate at the Museum of the African Diasporawhere they have a space to honor their histories and thrive. You can find her writings on Your World News, People of Color Organize, Rain and Thunder: A Radical Feminist Journal, Womanist Musings, and her own blog Thoughts of my Mind. Her writings focus on the intersections and dynamics of race, class, gender, power, survival/healing and education.

She also teaches an African History course and when she is not doing that, she works closely with a community organization dear to her heart, working to abolish the school to prison pipeline and hearing the youth speak their truth to move to action. She is happy to be a Bay Area resident and feels like here, she has found a bit of peace and a bit of home!

Itoro’s excited to be an intern with the POC Zine Project because it is a collective that uplifts and cares about what people of color have to say and acknowledges what they have always said.

Some texts that furthered her political consciousness and commitment to uplifting the voices of POC and their struggles are The Revolution Starts at Home, This Bridge Called My Back and Steve Biko’s I Write What I Like: Selected Writings. All these zines and texts named what it means to speak out from the margins and hold to ones principle in building a world that includes us all, and calls for a life of love and continued struggle in ALL our spaces, seen and unseen. Moreover, with many people coming out from the margins, she did not feel alone.

Ultimately, Itoro hopes to be a part of a larger community committed to making our written word available, accessible and visible. Other perks to the internship are gaining more knowledge and organizing with radical zinesters. As an intern, she hopes to further her knowledge about zine culture and help get our Voices out. She is excited and ready to begin this journey and is happy to call the POC Zine Project her media home.

COMMUNITY: Learn more about POCZP internship & volunteer opportunities here. We are still accepting applications for the Summer and Fall sessions. 

IN ITORO’S OWN WORDS

Here are some excerpt from her application that are important to share:

Zine culture, specifically the material production of our knowledge is important to me because our voices are often co-opted, misused or completely erased in the literary canon. I have experienced this dangerous and painful trend most profoundly as an educator within the context of radical and progressive education. Save for bell hooks, Sonia nieto, Michele Foster and a few other people of color directly explaining the intricacies of power and privilege as a teacher of color, outlining a liberatory pedagogy through navigating a hostile terrain and offering something invaluable to the field through articulating underlying race, class and gender dynamics, it was difficult to fully relate to radical literature. I found that much of its thought and analysis was filtered through a white liberal/radical context. Even the class analysis was lacking because the white elephant in the room, white supremacy, was not directly dealt with. These power dynamics alone, the dynamics of who gets listened to, who controls the written word, who controls the publishing house, the way information gets told is what fuels my commitment to writing and working with people of color to have complete autonomy over their material.

… The POC Zine project is necessary at this particular time where knowledge and overall experiences are actively ignored.  Centering people of color’s material contributions as a source of  is important, and is a part of honoring a larger history of people who kept going in spite of these hurdles.  

SOME OF ITORO’S WRITING

In a Quiet Place, A Radical Profeminist (Fall 2012)  

In a Quiet Place, The Black Feminist Manifesto (Fall 2012)

In a Quiet Place, Your World News (Fall 2012)  

Missy Anne’s on the lookout for me, Your World News (Summer 2012)  

And When You Leave, Take your Pictures with you, Your World News (Spring 2012) 

Black Power, Leadership and Privilege, Your World News (Winter 2012)

Shedding the Tears, Looking Back, Moving Forward, People of Color Organize (Winter 2012) 

Conversations with a Student Teacher of Color, Womanist Musings (Fall 2010) 

ABOUT THE LEGACY SERIES

Kicking off with FIRE!!, POC Zine Project will make zines by people of color created from the 1700s-1990s available to read and share.

Every Friday (Editor’s note: date pushed to February), you will find a legacy zine by a person of color on poczineproject.tumblr.com. We will share more details in 2013.

WHY WE ARE FOCUSING ON LEGACY ZINES

People of color in the U.S. have produced independent publications (zines) for decades. Many of these zines were political in nature, creating cracks in the lens of white supremacy that shaped (and continues to inform) popular culture and legislation.

These zines were new maps to our liberation, countering the negative propaganda of what people of color looked like, thought and were capable of achieving.

We want the world to know about these legacy zines, so we are going to archive and share them to the best of our ability.

We look forward to partnering with distros, academic spaces, libraries, anti-authoritarian collectives, literary journals, bloggers and more to share the Legacy Series.

“NEW” ZINESTERS: We will still share information about new and upcoming zines by people of color :) Please continue to submit your zines to the archive.

ABOUT THE RACE RIOT! TOUR

POC Zine Project held its first Race Riot! Tour in 2012, producing 20 events in 14 cities, which included speaking engagements at six universities. Click here to view photos from the POC Zine Project: 2012 Race Riot! Tour tour finale at Death By Audio in Brooklyn and access all the tour stop recaps.

We will be taking the Race Riot! Tour through 14 more cities in 2013. Stay tuned!

SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

You can also send well-concealed cash or a check! Email daniela@dcapmedia.com for details or if you have questions.

Info about the poverty zine series: http://bit.ly/RLVTVt

COMMUNITY SPOTLIGHT: '1 IN 3: THESE ARE OUR STORIES'

40 stories of women’s experiences with abortion for the 40th anniversary of Roe vs. Wade!

You can read a preview here:

Click here to order the paperback edition. This is available as an ebook from the Kindle store too. Nook and iBookstore availability coming soon.

1 in 3 women in the United States will have an abortion in her lifetime. The 1 in 3 Campaign is about ending the cultural stigma and shame women are made to feel around abortion. By sharing stories, we can empower others to end their silence and encourage all supporters of abortion access to publicly take a stand.

Read these stories and more on the 1 in 3 Campaign website.

The 1 in 3 Campaign is a project of Advocates for Youth.

————

Having the legal right to make decisions about how and when we reproduce is a critical component of our liberation as POC.

Community: If you found this publication inspiring and informative, please signal boost!

CALL FOR SUBMISSIONS: Brown Queen: Latina Voices of the 21st Century

image

TITLE: Muchacha

CREATOR: Daisy Salinas

SUBMISSION DEADLINE: March 1, 2013

Muchacha: A quarterly fanzine that seeks to promote the “F” word feminism, encourage involvement in the DIY music/art community & inspire participation in grassroots activism.

DETAILS FROM DAISY

The theme for the upcoming issue #5 (Spring, 13’) of my fanzine Muchacha is “Brown Queen: Latina Voices of the 21st Century”. I am calling out to Latina/Chicana/Hispanic identified women worldwide to contribute their voices though an array of mediums including poetry, essays, art, comics, etc. I want this issue to serve as a time capsule for future generations of Brown women. Let our voices be heard and let us pick up the pieces and continue the lessons of our foremothers. As Gloria Anzaldúa brilliantly said: “I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent’s tongue - my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.”

Join me in overcoming the traditions of silence. To submit your contributions contact me at Riotgrrrl56@yahoo.com with “Brown Queen” as the subject. Deadline for submissions is March 1st, 2013.

La tema de mi próxima edición #5 (Primavera, 13’) di me revistilla Muchacha es “Brown Queen: Latina Voices of the 21st Century” (Reina Morena: Voces Latinas Del Siglo 21). Estoy llamando a las mujeres identificadas como Latina/Chicana/Hispana por todo el mundo para contribuir sus voces a través de una variedad de medios incluyendo poesía, ensayos, arte, cómicos, etc. Quiero que esta edición sirva como una cápsula del tiempo para las futuras generaciones de mujeres Latinas. Deje que nuestras voces se escuchen, y deje que nosotros recogemos los pedazos y seguir las lecciones de nuestras antepasadas. Como Gloria Anzaldúa brillantemente dijo: “Ya no mi haré sentir vergüenza por existir. Tendré mi voz: India, Español, blanca. Tendré mi lengua de serpiente - la voz de mi mujer, mi voz sexual, la voz de mi poeta. Voy a superar la tradición del silencio.”

Acompáñeme en el vencimiento de las tradiciones de silencio. Para enviar sus contribuciones póngase en contacto conmigo Riotgrrrl56@yahoo.com con “Reina Morena” en el título. Fecha límite para submisions es Marzo 1st, 2013.

muchachafanzine.tumblr.com

wemakezines.ning.com/profile/DaisySalinas

——-

Editor’s Note: A “Community Submission” post results from POC folk submitting their own zine to be featured on the POC Zine Project Tumblr. If you would like to share your zine with the POC Zine Project community, here’s how to do it.

When you submit, feel free to add some background, a description of your work and art and your mission statement. If you just send us the name of your zine, we’ll simply link back to a source for purchasing it and use the language you already have on your site.

As long as the zine was created/co-created by a person of color, we will always share Community Submissions. Enjoy!

POCZP accepts anonymous submissions and zine donations from POC. Click here for submission guidelines.

Three-year anniversary statement
Imagine that your path to self actualization is like crossing a rushing, dangerous river — and the only way to get across is by accessing stepping stones in the water. Now, pretend that each of those stones is a form of media you reference in your daily life. You will see that certain people are drawn to certain stones. Different variables create inequality, which informs progress (or lack of).You&#8217;ll see how some people, particularly white people invested in keeping people of color from moving forward, prevent a lot of self actualizing from happening. You&#8217;ll see it in real time and in the history of this river (life).POC Zine Project is about cultivating stepping stones — points of cultural reference — for people of color to utilize and draw strength &amp; healing from on their path. 

We are here to disrupt. We&#8217;re connecting people to life lines. We&#8217;re empowering people of color to create new maps for self actualization, while identifying existing ones.We&#8217;re both educating and learning from allies, who evolve along with us.From this paradigm, you will begin to understand why POCZP is an experiment in activism and community through materiality, and why we are committed to being a space of healing for people of color.Through the duration of this project, we will change all the time, because our community is changing all the time. We are growing, learning, collaborating and thriving — all the time. We are constantly observing, assessing, reflecting, revising and evolving. We both live inside academia and in direct opposition to it. We embrace our existence as a blessed bundle of contradictions devoted to supporting self actualization and liberation for POC. After three years at this, we are proud to declare it:We are POC Zine Project and our mission is to make zines by people of color easy to find, distribute and share. We are an experiment in activism and community through materiality, and function as an advocacy platform and incubator for liberation.Thank you for your support.
———————————————————
ABOUT THE RACE RIOT! TOUR
POC Zine Project held its first Race Riot! Tour in 2012, producing 20 events in 14 cities, which included speaking engagements at six universities. Click here to view photos from the POC Zine Project: 2012 Race Riot! Tour tour finale at Death By Audio in Brooklyn and access all the tour stop recaps.
STAY INFORMED
We will be taking the Race Riot! Tour through 14 more cities in 2013. Stay tuned!
Facebook.com/POCZineProject
Twitter.com/poczineproject
poczineproject.tumblr.com
SUPPORT POC ZINE PROJECT
If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour and the poverty zine series.
DONATE link via PayPal: http://bit.ly/SHdmyh
You can also send well-concealed cash or a check! Email daniela@dcapmedia.com for details or if you have questions.
Info about the poverty zine series: http://bit.ly/RLVTVt
&lt;3,
POC Zine Project

Three-year anniversary statement

Imagine that your path to self actualization is like crossing a rushing, dangerous river — and the only way to get across is by accessing stepping stones in the water. 

Now, pretend that each of those stones is a form of media you reference in your daily life. You will see that certain people are drawn to certain stones. Different variables create inequality, which informs progress (or lack of).

You’ll see how some people, particularly white people invested in keeping people of color from moving forward, prevent a lot of self actualizing from happening. You’ll see it in real time and in the history of this river (life).

POC Zine Project is about cultivating stepping stones — points of cultural reference — for people of color to utilize and draw strength & healing from on their path. 

Rushing River

We are here to disrupt. 

We’re connecting people to life lines. 

We’re empowering people of color to create new maps for self actualization, while identifying existing ones.

We’re both educating and learning from allies, who evolve along with us.

From this paradigm, you will begin to understand why POCZP is an experiment in activism and community through materiality, and why we are committed to being a space of healing for people of color.

Through the duration of this project, we will change all the time, because our community is changing all the time. We are growing, learning, collaborating and thriving — all the time. We are constantly observing, assessing, reflecting, revising and evolving. 

We both live inside academia and in direct opposition to it. 

We embrace our existence as a blessed bundle of contradictions devoted to supporting self actualization and liberation for POC. 

After three years at this, we are proud to declare it:

We are POC Zine Project and our mission is to make zines by people of color easy to find, distribute and share. 

We are an experiment in activism and community through materiality, and function as an advocacy platform and incubator for liberation.

Thank you for your support.

———————————————————

ABOUT THE RACE RIOT! TOUR

POC Zine Project held its first Race Riot! Tour in 2012, producing 20 events in 14 cities, which included speaking engagements at six universities. Click here to view photos from the POC Zine Project: 2012 Race Riot! Tour tour finale at Death By Audio in Brooklyn and access all the tour stop recaps.

STAY INFORMED

We will be taking the Race Riot! Tour through 14 more cities in 2013. Stay tuned!

Facebook.com/POCZineProject

Twitter.com/poczineproject

poczineproject.tumblr.com

SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

You can also send well-concealed cash or a check! Email daniela@dcapmedia.com for details or if you have questions.

Info about the poverty zine series: http://bit.ly/RLVTVt

<3,

POC Zine Project

COMMUNITY SPOTLIGHT: [NYC] A FREE symposium to discuss how to end global sexualized violence THIS FRIDAY 1/25/13
DATE: January 25, 2013
TIME: 8:30 am to 5:00&#160;pm EST
LOCATION: Columbia University Medical Center Bard Hall 50 Haven Avenue
REGISTER: here.
Contact Info: For further information regarding this event, please contact Gerald Govia by sending email to gg2431@mail.cumc.columbia.edu or by calling 2123424542.
***pre-registration is required to attend***
EVENT DETAILS
New York—The Women’s Media Center and Columbia University&#8217;s Mailman School of Public Health on Friday are sponsoring a free symposium to discuss how to end global sexualized violence.
“Global sexualized violence: From epidemiology to action” will bring together scientists, journalists, and policy makers. Robin Morgan, co-founder of the Women’s Media Center, will give the plenary address. Lauren Wolfe, director of WMC’s Women Under Siege project, will moderate two of the sessions. The project has been a leader in bringing attention to sexualized violence against women in war-torn areas.
Speakers will include award-winning journalist Maria Hinojosa;Cristina Finch, director of the women&#8217;s human rights program at Amnesty International USA; Cara Hoffman, author of the critically acclaimed So Much Pretty; and representatives from the Centers for Disease Control, the Peace Corps, and Physicians for Human Rights, among other organizations.
The symposium is one of a series of sessions hosted by Columbia University’s Epidemiology Scientific Symposia (CUESS) to look closely at epidemiology and population health.Pre-registration is required.
More details are available at CUESS.org.
The Women&#8217;s Media Center works to make women and girls visible and powerful in the media through strategic programs aimed at transforming the media landscape including media training, media monitoring and activism, original media content, media reports, and media programs and initiatives. The organization was founded in 2005 by Jane Fonda, Robin Morgan, and Gloria Steinem.
CONTACT: Cristal Williams Chancellor, Media Relations Manager, cristal@womensmediacenter.com or 202-587-1636.
&#8212;&#8212;-
Point of awareness: womenundersiegeproject.org

COMMUNITY SPOTLIGHT: [NYC] A FREE symposium to discuss how to end global sexualized violence THIS FRIDAY 1/25/13

DATE: January 25, 2013

TIME: 8:30 am to 5:00 pm EST

LOCATION: Columbia University Medical Center Bard Hall 50 Haven Avenue

REGISTER: here.

Contact Info: For further information regarding this event, please contact Gerald Govia by sending email to gg2431@mail.cumc.columbia.edu or by calling 2123424542.

***pre-registration is required to attend***

EVENT DETAILS

New York—The Women’s Media Center and Columbia University’s Mailman School of Public Health on Friday are sponsoring a free symposium to discuss how to end global sexualized violence.

“Global sexualized violence: From epidemiology to action” will bring together scientists, journalists, and policy makers. Robin Morgan, co-founder of the Women’s Media Center, will give the plenary address. Lauren Wolfe, director of WMC’s Women Under Siege project, will moderate two of the sessions. The project has been a leader in bringing attention to sexualized violence against women in war-torn areas.

Speakers will include award-winning journalist Maria Hinojosa;Cristina Finch, director of the women’s human rights program at Amnesty International USA; Cara Hoffman, author of the critically acclaimed So Much Pretty; and representatives from the Centers for Disease Control, the Peace Corps, and Physicians for Human Rights, among other organizations.

The symposium is one of a series of sessions hosted by Columbia University’s Epidemiology Scientific Symposia (CUESS) to look closely at epidemiology and population health.Pre-registration is required.

More details are available at CUESS.org.

The Women’s Media Center works to make women and girls visible and powerful in the media through strategic programs aimed at transforming the media landscape including media training, media monitoring and activism, original media content, media reports, and media programs and initiatives. The organization was founded in 2005 by Jane Fonda, Robin Morgan, and Gloria Steinem.

CONTACT: Cristal Williams Chancellor, Media Relations Manager, cristal@womensmediacenter.com or 202-587-1636.

——-

Point of awareness: womenundersiegeproject.org