POC ZINE PROJECT

Posts tagged women of color

airhornoftruthandlove:

I thought I noticed a trend regarding images of people on zine fest posters, so I googled “zine fest poster” and here is what I feel is an accurate sampling of what I saw:
Midwest Zine Fest   Appears to be a white woman.
One of the LA Zine Fest posters.  Appears to be a white woman.
Paper City in Melbourne.  Appears to be a white young woman.
One of the Brooklyn Zine Fest posters.  Appears to be a white woman.
Birmingham Zine Fest  Appears to be a large community of exclusively white people.
Belgium Feminism Fest?  Appears to be women of color represented equally with white women.
I’m not a fan of putting people on posters, for many reasons. It sends unintentional messages that often alienate people.
When a decision is made to use images of people on posters, I appreciate when there are alternate, person-free posters used as well. If I want to support the project by taking a couple of flyers or posters to give to friends, I want to be able to give them one I don’t have to apologize for. And if images of people are used on posters, I do like it when it’s cartoony, rather than representational. The picture here, from Chicago Zine Fest 2011, is adorable. It shows people somewhere with many skin tones, even purple! And all the people in this fanciful place are the same. Whether they are young or old, purple or orange, they have the same love for reading zines! 

Excellent analysis by POCZP Midwest Coordinator Joyce Hatton <3
We’d love to see more white folks who organize events factor in how representations of people at their events on materiality (physical and in digital form) both welcome and alienate POC.
A facet of white privilege is just assuming everyone is OK with an entire event being represented by a white person on a poster. That is no bueno. If you want more POC to attend your events, make your promotional materials more inclusive.

airhornoftruthandlove:

I thought I noticed a trend regarding images of people on zine fest posters, so I googled “zine fest poster” and here is what I feel is an accurate sampling of what I saw:

Midwest Zine Fest
Appears to be a white woman.

One of the LA Zine Fest posters.
Appears to be a white woman.

Paper City in Melbourne.
Appears to be a white young woman.

One of the Brooklyn Zine Fest posters.
Appears to be a white woman.

Birmingham Zine Fest
Appears to be a large community of exclusively white people.

Belgium Feminism Fest?
Appears to be women of color represented equally with white women.

I’m not a fan of putting people on posters, for many reasons. It sends unintentional messages that often alienate people.

When a decision is made to use images of people on posters, I appreciate when there are alternate, person-free posters used as well. If I want to support the project by taking a couple of flyers or posters to give to friends, I want to be able to give them one I don’t have to apologize for.

And if images of people are used on posters, I do like it when it’s cartoony, rather than representational. The picture here, from Chicago Zine Fest 2011, is adorable. It shows people somewhere with many skin tones, even purple! And all the people in this fanciful place are the same. Whether they are young or old, purple or orange, they have the same love for reading zines!

Excellent analysis by POCZP Midwest Coordinator Joyce Hatton <3

We’d love to see more white folks who organize events factor in how representations of people at their events on materiality (physical and in digital form) both welcome and alienate POC.

A facet of white privilege is just assuming everyone is OK with an entire event being represented by a white person on a poster. That is no bueno. If you want more POC to attend your events, make your promotional materials more inclusive.

CALL FOR SUBMISSIONS: ‘nin,’ a new journal of erotic poetics devoted to exploring sex and the body through language

SUBMISSION DEADLINE: August 1, 2013

RELEASE DATE: September 2013

CONTACT: ninjournal@gmail.com

From nin’s Tumblr:

welcome to nin, a journal of erotic poetics devoted to exploring sex and the body through language.

nin is currently accepting submissions for its inaugural issue in september 2013. please click on the SUBMIT tab for instructions on how to send us your work. submissions close august 1.

nin will appear in both print and digital formats. for more information about the journal and the motivations behind it, please click on the ABOUT tab.

check back here often for inspiration of the erotic (and nsfw) kind. nin’s primary goal is not to titillate, but if it is provocative and well written/produced, this is a common side effect. this does not mean that we overlook the raunchy. in fact, it might be our favorite.

finally, nin is run by queers, and is devoted to representing all sexualities, gender expressions and ethnicities in our publication. you are encouraged to submit if you are non-native, gay, lesbian, bisexual, pansexual, queer, genderqueer, transgender and/or a person of color.

we look forward to receiving your work.

COMMUNITY: We encourage people of color of all backgrounds to submit to nin and other publicationsas we need more records of more expressions of sexuality and gender from POC around the world—in OUR voices. xo

COMMUNITY SUBMISSION: Women Who Rock ‘Zine #1 (2013)

image

ZINE NAME: Women Who Rock: Making Scenes, Building Communities

AUTHOR: NA (compilation of POC and ally voices)

RELEASE: February 2013

ORIGIN: Los Angeles, California, USA

DESCRIPTION: Women Who Rock ‘Zine #1 is based on material created for, during, and inspired by the Women Who Rock Conference, which highlights both contemporary and past movements in and outside of Seattle by bringing together musicians, activists, writers, advocates, and scholars to talk about questions of female representation and access for women with music scenes. The first conference was held Feb. 17-18, 2011 in Seattle, Washington.

The ‘zine makes conference material accessible beyond typical academic journals.

READ NOW

As part of our advocacy, POCZP has made this publication available as an embed and free download so you can share as you like <3 Our dear ally Kate Wadkins has an essay you should check out on page 3 under Essays!

MORE INFO ABOUT WOMEN WHO ROCK  http://womenwhorockcommunity.org/

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Editor’s Note: A Community Submission post results from POC folk submitting their own zine or zine call to be featured on the POC Zine Project Tumblr and other digital platforms. If you would like to share your zine with the POC Zine Project community, here’s how to do it.

When you submit, feel free to add some background, a description of your work and art and your mission statement. If you just send us the name of your zine, we’ll simply link back to a source for purchasing it and use the language you already have on your site.

As long as the zine was created/co-created by a person of color, we will always share Community Submissions. Enjoy!

POCZP accepts anonymous submissions and zine donations from POC. Click here for submission guidelines.

COMMUNITY SPOTLIGHT: Janelle Monáe - Q.U.E.E.N. feat. Erykah Badu

This video, forever. <3 #janellemonae #pleasemakeazine

If Q.U.E.E.N. inspires you to make a zine (so many incredible visual references and symbolism), let us know!

Meet POCZP&#8217;s West Coast Coordinator Liz Mayorga!
Part of POC Zine Project’s advocacy is empowering new and seasoned zinesters of color in the U.S. (and soon worldwide) to share their stories while supporting other POC. Liz is the second official regional coordinator for POCZP (meet Joyce, our Midwest Coordinator, here). We are excited to share developments as this part of our experiment in activism and community through materiality unfolds. 
LIZ, IN HER OWN WORDS
Liz was born in Los Angeles, California, but moved back and forth between Mexico and LA throughout her childhood. She is the youngest of three and the only female in a traditional, Catholic, Mexican-American family. 
Though her brothers taught her how to throw a good punch, she was often confused by the strict gender roles in rural Mexican society, which told her to be passive and meek. Luckily, Los Angeles was a place where contradiction could exist, a place where you could an aggressive girl, and a Mexican Punk. LA and the influence of popular culture gave Liz an identity she could be proud of.
She moved to the Bay Area for school, but ended up falling in love with SF Zine Fest, and community of artists. They pushed her to pursue her passion for Art and Literature. 
Liz now writes fiction and non-fiction, makes comics (check out Inked), and is a working illustrator. Her inspiration comes from her crazy family and Chican@ Pop Culture. She is the Co-Director of San Francisco Zine Fest (SFZF) and is now happy to be a part of the POC Zine Project.
See Liz in action at a recent POCZP Youth Zine workshop in San Francisco, where she led activities with assistance from POCZP intern Itoro Udofia.
Liz hopes to expand and connect the DIY West Coast community and serve as a resource. She wants DIY projects (and zines) by people of color to be especially accessible to youth, because she needed community this open and empowering as a teenager. 
It is also a goal of hers to promote multi-media as a part of zine/DIY culture and expand the limits of what a zine could be, because artists, especially artists with a story to tell, need to be more visible.
Learn more about Liz here: lizmayorga.com
COMMUNITY: Join us in welcoming Liz. We are excited to support zine culture and POC storytelling on the West Coast! We will have several events in this region during the 2013 Race Riot! tour. Stay tuned for details …
DO YOU WANT TO BE A COORDINATOR LIKE LIZ?
If you want to support POCZP with Liz, other coordinators, interns and our touring members, let us know! 
We are also looking for representatives in every state, as well as regional  support, as we build toward the National POC Zinester &amp; Ally Conference/Convergence. Ideally you have some experience with organizing events and building community, but experience is not required. All are welcome. Priority will be given to people of color who apply but allies are definitely welcome.
Contact poczineproject@gmail.com for more details with “regional coordinator” as the subject line.
If you are outside the U.S. and want to be a part of our emerging POCZP Global Ambassadors program, email poczineproject@gmail.com as well to stay informed as opportunities arise.
SUPPORT POC ZINE PROJECT
If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.
DONATE link via PayPal: http://bit.ly/SHdmyh

Meet POCZP’s West Coast Coordinator Liz Mayorga!

Part of POC Zine Project’s advocacy is empowering new and seasoned zinesters of color in the U.S. (and soon worldwide) to share their stories while supporting other POC. Liz is the second official regional coordinator for POCZP (meet Joyce, our Midwest Coordinator, here). We are excited to share developments as this part of our experiment in activism and community through materiality unfolds. 

LIZ, IN HER OWN WORDS

Liz was born in Los Angeles, California, but moved back and forth between Mexico and LA throughout her childhood. She is the youngest of three and the only female in a traditional, Catholic, Mexican-American family.

Though her brothers taught her how to throw a good punch, she was often confused by the strict gender roles in rural Mexican society, which told her to be passive and meek. Luckily, Los Angeles was a place where contradiction could exist, a place where you could an aggressive girl, and a Mexican Punk. LA and the influence of popular culture gave Liz an identity she could be proud of.

She moved to the Bay Area for school, but ended up falling in love with SF Zine Fest, and community of artists. They pushed her to pursue her passion for Art and Literature.

Liz now writes fiction and non-fiction, makes comics (check out Inked), and is a working illustrator. Her inspiration comes from her crazy family and Chican@ Pop Culture. She is the Co-Director of San Francisco Zine Fest (SFZF) and is now happy to be a part of the POC Zine Project.

See Liz in action at a recent POCZP Youth Zine workshop in San Francisco, where she led activities with assistance from POCZP intern Itoro Udofia.

Liz hopes to expand and connect the DIY West Coast community and serve as a resource. She wants DIY projects (and zines) by people of color to be especially accessible to youth, because she needed community this open and empowering as a teenager.

It is also a goal of hers to promote multi-media as a part of zine/DIY culture and expand the limits of what a zine could be, because artists, especially artists with a story to tell, need to be more visible.

Learn more about Liz here: lizmayorga.com

COMMUNITY: Join us in welcoming Liz. We are excited to support zine culture and POC storytelling on the West Coast! We will have several events in this region during the 2013 Race Riot! tour. Stay tuned for details …

DO YOU WANT TO BE A COORDINATOR LIKE LIZ?

If you want to support POCZP with Liz, other coordinators, interns and our touring members, let us know!

We are also looking for representatives in every state, as well as regional  support, as we build toward the National POC Zinester & Ally Conference/Convergence. Ideally you have some experience with organizing events and building community, but experience is not required. All are welcome. Priority will be given to people of color who apply but allies are definitely welcome.

Contact poczineproject@gmail.com for more details with “regional coordinator” as the subject line.

If you are outside the U.S. and want to be a part of our emerging POCZP Global Ambassadors program, email poczineproject@gmail.com as well to stay informed as opportunities arise.

SUPPORT POC ZINE PROJECT

If everyone in our community gave $1, we would more than meet our fundraising goal for 2013. If you have it to spare, we appreciate your support. All funds go to our 2013 tour, the Legacy Series and the poverty zine series.

DONATE link via PayPal: http://bit.ly/SHdmyh

SCENE REPORT: Oasis for Girls and The POC Zine Workshop

By Liz Mayorga, POCZP West Coast Coordinator 

Photos by Itoro Udofia, POCZP Intern

The Oasis for Girls Program, located on Mission St in San Francisco, serves under-resourced girls and young women ages 11-24. They focus on empowering women by helping them reach their full potential through lifeskills, art, and career planning. They are part of Writer’s Corps, which brings professional writers to teach youth.

These writers are placed in a community setting to encourage youth to explore their talents and dreams. Oasis for girls creates a safe space within that spectrum for African American, Arab, Latina, Native, Ascian-Pacific Islander, low-income, immigrant women, transgender and queer women. And I felt honored to work with them as part of the POC Zine Project on March 27, 2013.

Oasis for Girls and The POC Zine Workshop Students and Roseli Ilano, WritersCorps Teaching Artist, Oasis for Girls, (center) at the POCZP Youth Zine Workshop on March 27, 2013, at the San Francisco Arts Commission

Itoro and I had the pleasure of leading a POCZP Youth Zine Workshop for Oasis for Girls. We met Roseli Ilano, the Writer’s Corps teacher, at the San Francisco Arts Commission. She greeted us with a warm smile, and introduced us to eight students, all young women of color from different High Schools in San Francisco.

Roseli lead us into a conference room, asked the girls to take a seat, and everyone introduced themselves, awkwardly, like the way we do when we’re in conference rooms, but it didn’t take long for this group to open up. Roseli created a level of comfort that not only encouraged the girls to speak, but helped me and Itoro feel at home.

We started by talking about The POC Zine Project, it’s mission, and our involvement in it. We covered how zines allow people to write between different worlds and form communities, and why they’re so important to communities of color. We highlighted these points with examples of work by Tomás Moniz, Mimi Thi Nguyen, and Osa Atoe.

The girls were impressed to hear about a father who writes about his daughters and his own struggle to help them stay strong and true to themselves, were surprised to hear about a Professor who started off as a zinester, and a musician who broke all norms and expectations by following her passion and creating the fanzine she wanted see. Most of all, they were happy to see people writing about people and topics we’re told to ignore.

After a brief history of zines as a radical self-expression and DIY publishing, we showed examples of Youth Zines and moved on to create one-page minis. This part of the workshop started with a circle and ended with a circle. Itoro asked, “If you could write about anything, what would you write?” We went around sharing the topics that were on our minds.

The topics varied from sexuality to social-economic issues, how women were too often blamed for being assaulted, and how their experience of San Francisco was nothing like the San Francisco people expected to see.

Roseli asked the girls to arrange the art supplies. As they did and prepared to create their minis, I asked them to make two or three zines, and proposed for them to write about the most important women in their lives, unless they wanted to write about something else. Most of the girls wrote about the women they admired, their mothers and grandmothers, their friends and role models.

We ended the workshop by going around the circle again, sharing our minis, our stories with each another.

I can safely say that Itoro and I gained a lot from working with this group of women. Making zines is gratifying, but it doesn’t come close to the satisfaction I feel when working with other people, especially youth, on art projects. Roseli and the girls were a wonderful group: curious, intelligent, engaging, and they had a lot to say.

I felt privileged to be there, to be a part of their circle, and to see their zines.

TESTIMONIAL

“The POC Zine Project creates a space for young women of color to explore their stories in a fun and fresh medium- a medium where the only rule is to take risks and let your creativity soar.

Our young women raised their voices, told their truths, and shared their dreams on paper, fully supported by the POC Zine Project workshop facilitators. In the process they not only learned about the radical history of zinemaking, but became a part of it.” - Roseli Ilano, WritersCorps Teaching Artist, Oasis For Girls

For more information on the Oasis for Girls program:

Phone: (415) 701-7991

FAX: (415) 701-0131

MAIL: Oasis For Girls, 1008 Mission St, San Francisco, CA 94103

OR WALK-IN: Office Hours are Mondays – Fridays from 11:00 am – 7:00 pm

EMAIL: sfoasis@sfoasis.org

On the Web: www.sfoasis.org

Blog: sfoasis.blogspot.com

ABOUT LIZ MAYORGA

Liz Mayorga is an MFA Writing candidate at California College of the Arts. She writes and illustrates comics and storybooks, often featuring monsters. Her inspiration comes from her crazy family and Chican@ Pop Culture.

She is the Co-Director of San Francisco Zine Fest, and is now happy to be part of the POC Zine Project.

Learn more about her here: lizmayorga.com

COMMUNITY: Learn more about POCZP internship & volunteer opportunities here. We are still accepting applications. 

If you are interested in POCZP leading a workshop or other event in collaboration with your organization - worldwide - email poczineproject@gmail.com. 

COMMUNITY SPOTLIGHT: '1 IN 3: THESE ARE OUR STORIES'

40 stories of women’s experiences with abortion for the 40th anniversary of Roe vs. Wade!

You can read a preview here:

Click here to order the paperback edition. This is available as an ebook from the Kindle store too. Nook and iBookstore availability coming soon.

1 in 3 women in the United States will have an abortion in her lifetime. The 1 in 3 Campaign is about ending the cultural stigma and shame women are made to feel around abortion. By sharing stories, we can empower others to end their silence and encourage all supporters of abortion access to publicly take a stand.

Read these stories and more on the 1 in 3 Campaign website.

The 1 in 3 Campaign is a project of Advocates for Youth.

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Having the legal right to make decisions about how and when we reproduce is a critical component of our liberation as POC.

Community: If you found this publication inspiring and informative, please signal boost!

COMMUNITY SPOTLIGHT: Support OOMK, a new zine by Muslim female artists

OOMK’s fundraiser video is super DIY-cute, and looks like it was a lot of fun to animate:

Music by Vivian Girls - Tell the World

Message from the OOMK team to POCZP: 

OOMK zine is nearly here but we need a little help to get it on its way!

Featuring the work of 25 women, OOMK is set to be a highly visual small press publication. The zine explores the imaginations, creativity and spirituality of women and our first issue is packed with activist and feminist work from a range of different women. 

We’re really keen to share the thoughts of young active, creative women, especially Muslim women, like ourselves, who don’t really get heard. We’ve finished putting issue 1 together and its looking great, but we need to raise £800 to get 300 copies printed.

We’ve set up this fundraising page to help us reach our target: http://www.pleasefund.us/projects/oomk-zine

OOMK is a submissions based zine and future issues will be open to all to submit work.

We need your help to get the word out and to reach our target!

https://www.facebook.com/oomkZine

https://twitter.com/oomkzine

xx

MORE INFO

The Team:

Rose Nordin: Graphic Designer and MA Design student (isamok.tumblr.com)
Sofia Niazi: Illustrator and MA Design student (www.sofianiazi.co.uk)
Sabba Khan: Architect and freelancer (cosmicsabba.tumblr.com)

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We’re into it! Join us in making a donation, if you can spare any amount <3

CALL FOR SUBMISSIONS: 'We Got This: A Zine about Screening, Safe Calls & Buddy systems for safer indoor sex work'

strugglingtobeheard:

Seeking Submissions to “We Got this: A Zine about Screening, Safe Calls & Buddy systems for safer indoor sex work”

As sex workers, escorts, hookers, prostitutes, pro-dommes/subs who have to work without much protection, we use hundreds of little strategies to stay safe. This zine is about collecting and sharing those strategies. This edition focuses on screening clients and safe calls.

Some of us screen our clients pretty extensively, some just use a simple vibe check. Some of us call, text or email a friend (or pretend to) to check in before and after we see a client to let someone know we’re ok–and to let our clients know that someone is watching out for us. In this zine we want to know exactly how you do your client screening and safecalls, and what protocols you have in place to follow through when things go wrong– especially if you plan for what to do in the case of a problem. Also, any other tips you’d wanna share on avoiding bad clients!

This zine is by and for current and former sex workers only. It is open to all genders and anyone who sees clients in escorting/prostitution/dungeon work/street work. In section 2, we’d also like to hear tips from dancers and strippers on ways to ensure your security when doing “extras” in the club.

I am also looking for submissions from communities of sex workers who are disproportionately impacted by policing and all other forms of violence. Trans women, Indigenous people, folks of colour, QTPOC, poor people and people with disabilities are strongly encouraged to submit.

Click the link to get more information about the zine and the submissions. I got this from Leah Lakshmi Piepzna-Samarasinha’s fb so shout out to her for signal boosting it. Please signal boost around and feel free to click the link if interested in submitting. Also, don’t bother any of these wonderful people if you are non-sex workers. 

Signal-boosting this. Be safe, y’all. Women and trans folks of color are especially vulnerable. <3 

To submit and to get more information, click here.

The actual email to submit is Julietnovember845 AT gmail DOT com and the deadline is October 31, 2012.

Thank you for creating this, Juliet November!